Highmore received much acclaim for his performance throughout the series' run, and was nominated for multiple Saturn Awards and Critics' Choice Television Awards. ![]() In 2013, he began starring as the iconic Norman Bates in the drama thriller series Bates Motel (2013), alongside Vera Farmiga as his mother. Roles in A Good Year (2006) and Arthur and the Invisibles (2006) soon followed, before he portrayed the title role in August Rush (2007), opposite Keri Russell and Robin Williams. He was then cast in the title role of Charlie Bucket in Tim Burton's Charlie and the Chocolate Factory (2005), and was reportedly recommended by co-star Johnny Depp. Highmore's breakout role came when he was cast in Finding Neverland (2004), alongside Johnny Depp and Kate Winslet. ![]() His next prominent role was in the family drama Two Brothers (2004). In 1999, Highmore made his big screen debut in the comedy Women Talking Dirty (1999), portraying Helena Bonham Carter's son. He attended Highgate School, and later earned a double-first degree in Spanish and Arabic from Cambridge University's Emmanuel College. Highmore has a younger brother, Albert "Bertie" Highmore. He was born Alfred Thomas Highmore in Camden Town, London, England, to Sue (Latimer), a talent agent, and Edward Thomas Highmore, an actor. And nearly stealing the film is young Jamia Simone Nash with her sassy line readings and astonishing voice.Freddie Highmore is an English actor who came to prominence for his roles in Five Children and It (2004), Finding Neverland (2004), and Charlie and the Chocolate Factory (2005). John Mathieson’s inspired cinematography turn contemporary Manhattan into a Dickensian world where an orphan might triumph and people feel the sound of healing music. From gospel and rock to classical and symphonic, music carries its characters and story ever forward to their destiny. It will be played in Central Park, where Lyla is a featured cellist and Louis is nearby, reunited with his old band.Ĭlearly, the film does not work on any realistic level. When August wanders into a church, the pastor (Mykelti Williamson) is so impressed with the boy’s organ composition that he brings the youngster to the Juilliard School of Music. Its sounds resonate in his head: In the whoosh of subway trains, noise from cars, thumps of a basketball and the clatter, hum and buzz of everyday life, he feels music flow through him. His musical gifts explode when he comes to New York. He believes he can reach out to them through music, that they can “hear” each other. Louis, too, gives up music, opting for a business career in San Francisco.Ī kind social worker (Terrence Howard) urges Evan into family placement, but the boy never gives up hope of finding his parents. Shattered, she loses interest in playing and relocates to Chicago, where she teaches music. ![]() When the pregnant Lyla is hit by a car and gives birth prematurely, her father (William Sadler), mindful of her career, gives the infant up for adoption but tells his daughter that her baby died. The two spend the night only to be torn apart by circumstances. In flashback, a young Irish guitarist-singer, Louis (Rhys Meyers), encounters a shy, young cellist, Lyla (Russell), on a rooftop overlooking the square. It is in Washington Square 11 years ago where Evan was conceived. Evan (Highmore), whom he renames August Rush, is a child prodigy whose skills reward him with a prime spot in Washington Square. Instead of a gang of young thieves, the “Wizard” (Robin Williams, doing his best with a poorly written role) operates a team of young musicians who live in an abandoned theater and play for money on street corners. “August” adopts the structure of “Oliver Twist” whereby an orphan runs away to New York and falls in with a Fagin-like character.
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